{"id":3204,"date":"2025-08-20T10:00:33","date_gmt":"2025-08-20T01:00:33","guid":{"rendered":"http:\/\/afjmc.org\/ja\/?p=3204"},"modified":"2025-11-20T00:47:07","modified_gmt":"2025-11-19T15:47:07","slug":"10-9-ensemble-recurrence-%e7%ac%ac1%e5%9b%9e%e6%bc%94%e5%a5%8f%e4%bc%9a%e3%80%9c%e5%8f%a4%e5%85%b8%e3%81%a8%e3%81%97%e3%81%a6%e3%81%ae%e3%83%94%e3%82%a8%e3%83%bc%e3%83%ab%e3%83%bb%e3%83%96%e3%83%bc","status":"publish","type":"post","link":"https:\/\/afjmc.org\/fr\/10-9-ensemble-recurrence-%e7%ac%ac1%e5%9b%9e%e6%bc%94%e5%a5%8f%e4%bc%9a%e3%80%9c%e5%8f%a4%e5%85%b8%e3%81%a8%e3%81%97%e3%81%a6%e3%81%ae%e3%83%94%e3%82%a8%e3%83%bc%e3%83%ab%e3%83%bb%e3%83%96%e3%83%bc\/","title":{"rendered":"LE 9 OCTOBRE : 1ER CONCERT DE L\u2019ENSEMBLE RECURRENCE &#8211; CONCERT SOUTENU"},"content":{"rendered":"<p>Figure embl\u00e9matique de la musique contemporaine, le grand ma\u00eetre Pierre Boulez a longtemps domin\u00e9 la sc\u00e8ne musicale. En cette ann\u00e9e du centenaire de sa naissance, ses \u0153uvres, largement pl\u00e9biscit\u00e9es par le public, s\u2019imposent aujourd\u2019hui comme un r\u00e9pertoire essentiel, interpr\u00e9t\u00e9 dans le monde entier comme de v\u00e9ritables \u00ab classiques \u00bb de la musique contemporaine.<\/p>\n<p data-start=\"47\" data-end=\"648\">Aux chefs-d\u2019\u0153uvre de Boulez s\u2019ajoutent des \u0153uvres de Jo Kondo, Misato Mochizuki et Dai Fujikura, tous trois d\u00e9j\u00e0 solidement reconnus sur la sc\u00e8ne internationale, ainsi que celles de deux compositeurs de la jeune g\u00e9n\u00e9ration : Sebastian Hilli, laur\u00e9at du Prix de composition Toru Takemitsu en 2015, et Hiromichi Kitazume, qui m\u00e8ne une carri\u00e8re remarquable entre la France et le Japon. Une nouvelle cr\u00e9ation a en outre \u00e9t\u00e9 command\u00e9e pour ce concert \u00e0 Takuma Sait\u014d, qui vient tout juste d\u2019achever, en septembre dernier, le deuxi\u00e8me cycle du Conservatoire national sup\u00e9rieur de musique et de danse de Paris.<\/p>\n<p data-start=\"650\" data-end=\"864\">Des chefs-d\u2019\u0153uvre traversant les g\u00e9n\u00e9rations aux \u0153uvres nouvelles appel\u00e9es \u00e0 devenir le r\u00e9pertoire de demain, ce programme sera port\u00e9 par des musiciens qui fa\u00e7onneront la sc\u00e8ne de la musique contemporaine du futur.<\/p>\n<p><strong>Lieu :<\/strong> Toyosu Civic Center Hall<br \/>\n<strong>Billets :<\/strong> Places non num\u00e9rot\u00e9es \u2013 Adultes 4000 JPY, \u00c9tudiants 2000 JPY<br \/>\n<strong>R\u00e9servations :<\/strong> <a href=\"https:\/\/teket.jp\/15079\/53901\">https:\/\/teket.jp\/15079\/53901<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programme <\/strong><\/p>\n<p>Pierre Boulez \/ D\u00e9rive 1 (1984)<\/p>\n<p>Jo Kondo \/ Trio \u00ab The Moor \u00bb (1982)<\/p>\n<p>Misato Mochizuki \/ All that is including me (1996)<\/p>\n<p>Dai Fujikura \/ wondrous Steps (2013 \/ Premi\u00e8re japonaise)<\/p>\n<p>Sebastian Hilli \/ Butterfly Curve (2018 \/ Premi\u00e8re japonaise)<\/p>\n<p>Hiromichi Kitazume \/ Motorcaprice (2015 \/ Premi\u00e8re japonaise)<\/p>\n<p>Takuma Saito \/ Nouvelle commande (2025 \/ Premi\u00e8re mondiale)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Artistes<\/strong><\/p>\n<p>Direction musicale &amp; chef d\u2019orchestre : Tetsuya Yamamoto<\/p>\n<p>Violons : Shungo Mise, Kei Sakoda<\/p>\n<p>Alto : Shiori Wada<\/p>\n<p>Violoncelle : Yui Hosoi<\/p>\n<p>Fl\u00fbte : Takahiro Uchiyama<\/p>\n<p>Hautbois : Masato Oki<\/p>\n<p>Clarinette : Kaoru Nishimura<\/p>\n<p>Basson : Kensuke Nishibori<\/p>\n<p>Percussions : Masayuki Niino<\/p>\n<p>Piano : Eri Sugimori, Shoichiro Tanaka<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Contacts<\/strong><\/p>\n<p>Bureau de l\u2019Ensemble Recurrence : ensemble.recurrence@gmail.com<\/p>\n<p>Site officiel : <a href=\"https:\/\/ensemblerecurrence.wixsite.com\/ensemble-recurrence\">https:\/\/ensemblerecurrence.wixsite.com\/ensemble-recurrence<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Organisation<\/strong><\/p>\n<p>Producteur : Ensemble Recurrence<\/p>\n<p>Soutien : Arts Council Tokyo, Fondation pour l\u2019histoire et la culture de Tokyo [Subvention Start-up]<\/p>\n<p>Partenaires : Association japonaise de musique contemporaine (NPO), Association franco-japonaise de musique contemporaine<\/p>","protected":false},"excerpt":{"rendered":"<p>Figure embl\u00e9matique de la musique contemporaine, le grand ma\u00eetre Pierre Boulez a longtemps domin\u00e9 la sc\u00e8ne mus [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":3206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7,16],"tags":[],"class_list":["post-3204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts-et-conferences-de-membres","category-16","has_thumb"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/posts\/3204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/comments?post=3204"}],"version-history":[{"count":13,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/posts\/3204\/revisions"}],"predecessor-version":[{"id":3250,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/posts\/3204\/revisions\/3250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/media\/3206"}],"wp:attachment":[{"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/media?parent=3204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/categories?post=3204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afjmc.org\/fr\/wp-json\/wp\/v2\/tags?post=3204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}